Friday, May 8, 2020

The Rape Of Nanking And The Art - 1504 Words

As a species, humans have a long and bloodied history of attempting to eliminate one another to become dominant, from the Armenian genocide to the ethnic cleansing of the Tutsis in Rwanda. This mentality is not a new phenomenon, but has evolved to become even more lethal and prolific with the innovations in weaponry and transportation. Due to this disturbing universality, parallels are easily drawn between Iris Chang’s The Rape of Nanking and the art that was being created in Europe and the United States during the time of Hitler’s reign, including the work Seligmann, Stael and Albright. We must look to other global sources for this insight, due to the lack of photographic documentation in China and creation of art after the fact. The war crimes Japanese soldiers inflicted upon the people of Nanking are one of the most heinous examples of this idea of extermination, resulting in the loss of an estimated 200,000 to 300,000 lives. Thousands of women were raped, forced to take pictures with their assailants in pornographic poses, shamed and seen as being dirty, viewed as being subhuman. Soldiers were warned to eliminate the women they had raped, disposing of the evidence of what they had done. â€Å"‘Perhaps when we were raping her, we looked at her as a woman,’ Azuma [a soldier] wrote, â€Å"‘but when we killed her, we just thought of her as something like a pig’† (50). Rape was often rooted in superstition, the belief that the violation of virgins would provide strength andShow MoreRelatedThe Rape Of Nanking And The Three Of The Art Works During World War II1266 Words   |  6 PagesChinese faced during the war was the rape. Women were the most vulnerable existence during the war, and they were easiest existence to control. We can learn how the horror of the war affects on women. 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